“Homage To The Goddess Proves Spontanteity Is The Key To Joy”.
Now here’s an interesting one. Jamie Catto from Faithless. Yep the dance act with Rollo and Sister Bliss. He teams up with Duncan Bridgeman again. The guy who he did The 1 Giant Leap series with. They knock out a chillout album and release it through Sydney-based downtempo label, One World Music. Literally knock it together. Three days. A bunch of famous dudes. A few non-famous and one big-ass jam at his mate, Dave Stewart’s old church-studio (the same place they did one of Dido’s albums at). And it sticks.
Catto explains “The Happening was a tithe or a thank-you gift to the Goddess of Music for letting me make a living from music in which I invited all my favorite diverse artists.” And so he did. The Faithless rhythm section rolled up. The keyboardist from Oasis. The singer from the Sneaker Pimps. the scratch DJ from Beck, the singer from the Hothouse Flowers. Then Maxi Jazz rolls in with Pauline Taylor, the voice from their epic track Don’t Leave and things begin to take shape.
There’s a distinctive world music flavour on the album, obviously originating from Jamie and Duncans work on the two movies and their associated soundtracks. Reggae and dub influences are also present. Intelligently produced, beautifully mastered and collaborated upon in a way I’m sure the goddess of Music would be proud of. The little duet at the start of Chances Are is a highlight with the digital and analogue world colliding with an African xylophone and scratch dj riff that is as delicate as it is massive. Some wise and deep words spoken from a number of different voices, downtempo goodness that washes from delicate and spacious to railroad-trucking style beats infused with a variety of different classic and modern instruments. Sitar, Duduk and clarinet sit alongside standard band setups and digital programming to create a fusion of sound-quality and a depth of music that is still rare today. To have this created in three days is mind-blowing on one hand and yet makes complete sense in the other. There are some productions that can only be successful if done on the fly. If this had been written prior to recording it most likely would never have happened (pardon the deliberate pun).
The album is chilled, textured, deep and intelligent carrying messages and wisdom within the music as well as aesthetic composition. It’s a wonder it hasn’t been more widely exhalted. But perhaps that’s the humility of the work that lives in the balance with its greatness.