Hand-drafted plan of the Thomas Lloyd Dreadnought from the book available at http://www.thomaslloydguitarstlg.com.au.
This is the third traveller prototype so far. It’s a variation on a lattice-braced system, using a plywood chassis with black bamboo fan bracing instead. 520 scale length. Repurposed tonewoods. Matchstick rosette. Standard-sized fingerboard and a little cutaway lined with ebony. The sound board and back plate were taken from full sized plates, thus allowing two ‘travellers’ per one single full sized guitar with the unfortunate liability of a cross grained orientation. An experiment. The back plate was concaved inside and out with a router to enhance projection and seems to have worked. The sound quality and volume is larger than one would expect from a soundbox of this size. It’s a work in progress and still a bit rough but a far cry from the first two. More experiments to come with a childrens model and another lattice braced design.
“London tech/house act returns with fresh release on Auckland dance label”
Laying low since their 2007 EP on Data Records with Kinda New (We All Live & Die), Spektrum have returned with a classy, deep vocal-tech track with hints of electro and minimal. Two remixes add to the release with Dave Keno delivering a ‘peak-time monster’ and Beat & Path’s own Out Of Sorts reworking into a ‘tripped out low slung disco groove’.
After the 2007 success of the Kinda New remix EP with mixes from Tiefschwarz and Dirty South (hitting NUMBER ONE on the UK Dance Charts) Spektrum are set to go the distance once again, this time with a fresh label, new angle and deep inspiration. Who knows what the future may hold? A solid dance number blending deep tech-house beats with epic vocals.
Due out 25th of January, 2017.
“Dub Reggae Electronica Compilation Shows Both Sides Of The Coin”.
The latest from Liquid Sound Design, Society of Inner Light is a solid compilation of classy electronica tracks with a nicely balanced infusion of dub and reggae. Tripswitch opens with textbook electronica piece Collider ripping into some toothy synth work and a solid carry. Kuba then changes tack entirely with a dub-infused psychedelic funhouse. Dub Trees and Jah Wobble rip out a pacy dub/psy/electronica number later in the piece that gets the foot tapping. But it’s Irresistible Force featuring Nick Turner and Youth (Mixmaster Morris Remix) that I keep coming back to. Layered synths, atmospherics, a nice little trumpet opening up the digital space and a bed of adventure through the cosmos. Spacious, relaxing and interesting. A fun loving compilation of dub and electronica with a side of seriously bright journey work. I guess that’s why life is called the great cosmic joke.
“Melbourne Soul/Funk/R&B label going global”.
Ivan Katchoyan you little ripper.
Remember songs? That tell stories? With style? This guy.
Prominent Melbourne funk and soul drummer of Cookin’ On Three Burners fame (check out Kungs remix of their track This Girl) has taken matters into his own hands and started releasing old school vinyl 45’s on his label Choi Records.
It’s good solid gritty old school funk and soul you can get your teeth into. In an age of electronica and developmental songwriting it’s so very refreshing to head back to the roots where it all began.
Third cab off the rank is Fulton Street, a Melbourne based funk/soul outfit with beefy rhythmn and dynamic horn sections. Blending the essential elements of R&B and Soul into cohesive and original catchy tunes, these guys don’t miss a thing in the interpretation of that original sound from years ago we all know and love. The blistering A side Young People is followed by a slightly mellower yet equally inspiring Problems and Pain on the B.
From little things big things grow. Go Melbourne.
“Downtempo Stayer Carves Sonic Niche”.
Bruce Bickerton studied classical piano in the early years. After igniting his passion for electronica in the late 80’s during the ambient house boom, he began investing carefully in studio equipment. The early 90’s saw his collection of vintage Roland synths swell and with them his production skills and passion for sonic creation.
After the success of Get Lost in 2008, Bickerton followed up strongly with Aural Architecture in 2013. Through several album releases Bruce has developed a predominantly analogue electronica sound, steering away from digital plugins and allowing the construction of his characteristic meandering beds to hold space for well-constructed keyboard compositions.
The latest release from Alucidnation is Peace Odyssey. A 13 track LP comprising of textbook melodic Downtempo Electronica, smattered with some excellent piano work and punchy-yet-discreet synths stabs.
The opening track Plastic People sets a strong flavour for the rest of the album with bright, positive electronica and synth atmospherics coupling snugly. LED bops along in a similar vein, as does Mantis. A Reflective Mood is standout with the piano composition and execution of this worthy of an orchestra backing. The rogue is called A Paen, the Ye Olde name for a song of joy, praise or victory. Despite its unique sound the song seems out of place. The album closes with Taters and Sudetenland, both having similar formats with deeper feeling and more robust construction. Perhaps a hint of things to come?
Classic Alucidnation. Well composed, nicely produced and tightly executed.
Peace Odyssey is available now through One World Music.